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a19e0f205fNiveus read flat: thin sheens, short shadows, opaque grey chrome and a painted canvas. This retunes values and component internals only; every class and token name is unchanged, so existing pages pick it up as is. - Canvas: a faint accent light falls across the page, so translucent layers have something to show through. - Surfaces: the surface sheen runs the full height (lit top, shaded foot); raised and filled sheens, highlights and bevels are stronger; the elevation scale is deeper and softer. - Translucency: cards, dialogs, the sidebar and tab tracks let some of the canvas through, with blur so busy grounds never read as texture; frosted and glass materials are clearer with more blur. - Filled buttons give off a soft glow of their own color. - Light fields are paper instead of grey wells that looked disabled. - Fixes: navigation bars wrap and lists scroll inside them instead of overflowing the page on phones; choice labels sit at control size; disabled ghost buttons no longer grow a filled well; the color-swatch rule is split so neither engine drops it. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_019iMUTHrD8K9CSuHqsanje9
98 lines
4.5 KiB
CSS
98 lines
4.5 KiB
CSS
/* ==========================================================================
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Niveus — Elevation
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--------------------------------------------------------------------------
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Depth is a scale, not a free choice. Each level describes one relationship
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between a surface and what sits behind it:
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0 flush painted on the canvas, no separation
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1 resting cards, list rows, static panels
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2 raised buttons, controls, anything that reacts to a pointer
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3 floating popovers, menus, dropdowns, tooltips
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4 lifted dialogs, sheets, detached panels
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5 overlay the topmost layer, used sparingly
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Every level is built from the same three shadow colors so depth stays
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consistent between appearances: an ambient contact shadow that keeps the
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edge crisp, a soft penumbra for the spread, and an umbra that only appears
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once a surface is genuinely far from the canvas.
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========================================================================== */
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:root {
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--nv-elevation-0: none;
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--nv-elevation-1:
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0 1px 1px var(--nv-color-shadow-ambient),
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0 2px 4px -1px var(--nv-color-shadow-penumbra),
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0 6px 14px -8px var(--nv-color-shadow-umbra);
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--nv-elevation-2:
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0 1px 1px var(--nv-color-shadow-ambient),
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0 3px 6px -2px var(--nv-color-shadow-penumbra),
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0 10px 20px -10px var(--nv-color-shadow-umbra);
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--nv-elevation-3:
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0 1px 2px var(--nv-color-shadow-ambient),
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0 6px 12px -4px var(--nv-color-shadow-penumbra),
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0 18px 36px -12px var(--nv-color-shadow-umbra);
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--nv-elevation-4:
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0 1px 2px var(--nv-color-shadow-ambient),
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0 10px 20px -6px var(--nv-color-shadow-penumbra),
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0 30px 60px -16px var(--nv-color-shadow-umbra);
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--nv-elevation-5:
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0 2px 3px var(--nv-color-shadow-ambient),
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0 16px 32px -8px var(--nv-color-shadow-penumbra),
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0 44px 88px -20px var(--nv-color-shadow-umbra);
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/* --- Inset ---------------------------------------------------------------
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Recessed surfaces: fields, wells, tracks, pressed controls. */
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--nv-elevation-inset-sm: inset 0 1px 2px var(--nv-color-shadow-inset);
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--nv-elevation-inset-md:
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inset 0 1px 1px var(--nv-color-shadow-inset),
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inset 0 3px 6px -2px var(--nv-color-shadow-inset);
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--nv-elevation-inset-lg:
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inset 0 2px 3px var(--nv-color-shadow-inset),
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inset 0 6px 12px -3px var(--nv-color-shadow-inset);
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/* --- Highlight -----------------------------------------------------------
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The thin catch of light along the top edge of a raised surface. This is
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what makes Niveus read as material rather than as a rectangle with a
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shadow. Always paired with an elevation, never used alone. */
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--nv-highlight-top: inset 0 1px 0 var(--nv-color-highlight);
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--nv-highlight-top-strong: inset 0 1px 0 var(--nv-color-highlight-strong);
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--nv-highlight-edge:
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inset 0 1px 0 var(--nv-color-highlight),
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inset 0 0 0 1px var(--nv-color-border-subtle);
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/* --- Bevel -----------------------------------------------------------------
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The highlight's other half. A raised face is lit along its top edge and
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shaded along its bottom one; together they are the bevel, and the bevel is
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what makes a Niveus control look like something a finger could press.
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Raised controls and surfaces take the full bevel; the highlight alone is
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for things that sit flush. */
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--nv-lowlight-bottom: inset 0 -1px 0 var(--nv-color-lowlight);
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--nv-bevel:
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inset 0 1px 0 var(--nv-color-highlight),
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inset 0 -1px 0 var(--nv-color-lowlight);
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/* --- Outline ---------------------------------------------------------------
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The contact line: a hairline just outside a raised surface, where it meets
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whatever it rests on. In dark it is near-black and does most of the
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separating; in light it only softens the border beside it. */
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--nv-outline: 0 0 0 1px var(--nv-color-outline);
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/* --- Ledge -----------------------------------------------------------------
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A recess catches light on its *lower* lip, the edge facing the viewer.
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Paired with an inset shadow, it turns a field from a dark rectangle into
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a well cut into the surface. */
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--nv-ledge: 0 1px 0 var(--nv-color-highlight);
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/* --- Focus ---------------------------------------------------------------
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A contrast ring sits under the accent ring so focus stays visible on both
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light and dark surfaces, and on accent-filled controls. */
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--nv-focus-ring-width: 3px;
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--nv-focus-ring:
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0 0 0 1px var(--nv-color-focus-ring-contrast),
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0 0 0 calc(1px + var(--nv-focus-ring-width)) var(--nv-color-focus-ring);
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}
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