Nexoniarz is the sole author and SchOS was never published under
Apache-2.0, so this is a straight relicence. LICENSE is the FSF GPLv2 text,
every first-party SPDX header moves to GPL-2.0-or-later, and NOTICE,
README.md, docs/licensing.md and the site say so. projects/schfs-linux
follows the rest of the tree.
The GPL gives copyleft: a fork has to ship its source. It also lifts the
old "Linux drivers, never" rule, since GPL-2.0-only code combines with
GPL-2.0-or-later. "Or later" leaves room for GPLv3, but one binary still
has to pick one version, so docs/licensing.md now keeps Apache-2.0 and
GPLv3 code out of the kernel to keep Linux code possible there. BSD
4-clause code goes from "avoid" to "no", because the advertising clause
is GPL-incompatible.
LDLS still ships no .ko. That boundary is now project policy rather than
a legal requirement, and ldls.md, devices.md and licensing.md section 6
say so. refmod declares license=GPL, and ldls-check passes (27 checks).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Clients connect over a Unix socket, are handed a shared buffer, draw into
it and commit; Schcom composites and presents. Both of the hard blockers
its README listed -- unix domain sockets and raw input events -- have been
done for a while, so nothing was in the way.
The model is Wayland's, on purpose. A surface is not a window: it is a
rectangle of pixels with no policy attached, because placement belongs to
SchWM and the moment this program starts deciding where windows go the
split has failed. Nothing is shown until COMMIT, so a client halfway
through drawing is never presented. The compositor tells clients when to
draw rather than letting them render frames nobody sees.
Wayland is MIT-licensed and supporting it later is intended, so the
divergences are the ones that are cheap to undo: a buffer handle is a
System V shm id rather than an fd over SCM_RIGHTS, and the message
carries a handle_kind field so switching is a new value rather than a
protocol break. Every message carries its own length, so an unknown
message is skipped instead of desynchronising the stream -- which is what
lets a v0 compositor survive a v1 client.
The compositor owns the shm segment, not the client: it has to survive a
client crashing mid-frame, and it must not be something a client can
resize underneath it. A dropped connection takes its surfaces and their
segments with it.
Composites into a back buffer and copies once, because compositing
straight into the framebuffer shows every intermediate state -- the
flicker would be the whole desktop being repainted under the user's eyes.
projects/ gets build glue for the first time: `make projects` builds
against the sysroot's libc and stages into sysroot/bin. It is not a
dependency of anything above it, and `make` never descends there.
Verified by `make schcom-test`, which boots SchOS, runs the compositor and
a client, screendumps the framebuffer and asserts the pixels on the host.
That last part is the point -- the compositor reporting that it
composited something proves nothing, and a screenshot nobody inspects
proves less. It checks the client's colour mid-surface, the compositor's
background, and the white border exactly at the requested origin, so
"arrived" and "arrived at the wrong offset" cannot pass for each other.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
